La Fièvre d'Urbicande [Fever in Urbicand] is the second volume of the chronicles of the Obscures Cities, published in 1984. This story, which made its debut in the September 1983 issue of (A Suivre) was published in black and white.
Although the album was published in black and white, the first attempt was to make an album in colour. And even after switching to black and white, the dreams about a coloured version always remained.
Benoît Peeters, François Schuiten and Jack Durieux answer the question why a coloured edition was made. See also the history of colours of La Fièvre d'Urbicande in the chapters below for more details.
Video by Vladimir Peeters.
In 2019 the work started for the coloured edition. The colouring is trusted to Jack Durieux, a graphic designer and illustrator from Brussels. Jack is the twin brother of Laurent Durieux. Jack was also responsible for the "Leaning box" that holds the four volumes of the integral edition of Les Cités Obscures.
Durieux designed the full model and the colours of an album. Although he didn't redo the logo of Urbicande's original version nor the series title 1).
The first page of the album was exclusively unveiled at altaplana.be. The colouring looks quite different from the first attempt in 1983 and follow more the colour pallet that Schuiten used for the image of the front cover.
The colours by Jack Durieux can also be found on the announcement poster for Urbatekt varjatud maailmas exhibition in Tallinn, Estonia.
The coloured edition has a new cover designed by François Schuiten early 2020.
This image was also used for the announcement poster of the exhibition Urbatekt varjatud maailmas in Tallinn, Estonia. During this exhibition the first coloured pages were shown to the public for the first time.
The coloured Fièvre d'Urbicande album is published in French in a normal and a deluxe edition 3). The deluxe version is a large sized book (300 x 400 mm) with canvas binding. An additional print is added to the book. This edition is numbered and signed by all three authors, in an edition of 700 copies.
Both albums have an additional 8 pages with the history of La Fièvre d'Urbicande and its colours.
In August 2020, publisher Atlantic12 showed a video of the printing process of an ex-libris. The ex-libris will be used for the signing sessions that are planned around the release of the album. The ex-libris will be signed by Schuiten, Peeters and Durieux. Peeters will write something in the phylactery and Schuiten and Durieux will draw on the image to make it a special and unique piece.
After Les Murailles de Samaris, that was drawn in colour, La Fièvre d'Urbicande was made in black and white. At the beginning, exhausted by the very long colouring of Samaris, Schuiten intended to entrust the colouring of Urbicande to Françoise Procureur. Procureur is a colourist, who also worked with Alain Goffin (Le réseau Madou) and Phillipe Geluck (several Le Chat albums).
Although she was very talented, Schuiten and Peeters soon realized that it would not work as the progress of the colouring was too slow. Françoise Procureur coloured at least two pages in 1983, the period of the prepublication of La Fièvre d'Urbicande in (À Suivre).
A few chapters were conceived in the idea of colour before Schuiten and Peeters decided to switch to black and white. François Schuiten oriented the drawings afterwards to be edited in black and white. They also changed the pagination and the length of the story. The length of the story was necessary to treat it as a « Roman (à Suivre) » the only series that was available to publish in black & white by then.
The ideas for colour in this story has remained in different works. Le Guide des Cités mentions that coloured images from Urbicande are rare, but shows two coloured images of the south side of Urbicande.
These images are part of a page of La Fièvre d'Urbicande (page 20). François Schuiten coloured this page himself in 1986 for “Biennale de Venise”. The whole page can be found in a very rare catalogue.
Some details of the page, as published in Le Guide des Cités.
Although Schuiten and Peeters had to switch to black and white for the story. The covers of (A)Suivre.., where the Fièvre d'Urbicande was prepublished, were in colour.
(A Suivre) n°68 - 1983, Recueil (A Suivre) n°12 - 1984, “Wordt Vervolgd” n°42 -1984, Casterman Collection 85 - 1985, PLG change d'adresse -1991 (Françoise Procureur)
But also during the Exposition “de Bruxelles à Brüsel” Schuiten and Peeters played with colours in La Fièvre d'Urbicande.
In 1986 François Schuiten made two pastel enhancements on grey line screen prints.
On the images below: François Schuiten browsing through the files of the original edition with some coloured images. Some of these images were used in the exhibition “Un Opéra Pictural” (2005).
Several images of La Fièvre d'Urbicande were used by Gilles Ziller to make screenprints.
But also the exhibition in Haarlem showed a coloured image of La Fièvre d'Urbicande. And with the latest publication of the German edition of La Fièvre d'Urbicande an ex-libris was released with a coloured image.
With the release of the first integral edition of Les Cités Obscures in 2017 François Schuiten revisited La Fièvre d'Urbicande together with Laurent Durieux. Laurent coloured two images of La Fièvre d'Urbicande for a silkscreen print.
In 2017 the discussion even led to the tragic disappearance of Schuiten and Peeters in Montpellier during their visit to Pierresvives. The disappearance prompted their publisher to quickly put a colourful edition of “La Fièvre d'Urbicande” on sale, causing a monster outcry and sales records around the world 4).
Somehow this edition cannot be found anymore, except for the one page below.