Lewis Fry Richardson (11 October 1881 – 30 September 1953) was an English mathematician, physicist, meteorologist, psychologist and pacifist who pioneered modern mathematical techniques of weather forecasting, and the application of similar techniques to studying the causes of wars and how to prevent them. He is also noted for his pioneering work concerning fractals and a method for solving a system of linear equations known as modified Richardson iteration 1).
Lewis Fry Richardson wrote in 1921 AD: “We don't know the world of the Obscure Cities, but this world knows us nevertheless”.
Lewis Fry Richardson wanted to build an enormous observatory to catch signals from the universe of the Obscure Cities 2).
Richardson's interest in meteorology led him to propose a scheme for weather forecasting by solution of differential equations, the method used nowadays, though when he published Weather Prediction by Numerical Process in 1922, suitable fast computing was unavailable.
He described his ideas thus (his “computers” are human beings):
“After so much hard reasoning, may one play with a fantasy? Imagine a large hall like a theatre, except that the circles and galleries go right round through the space usually occupied by the stage. The walls of this chamber are painted to form a map of the globe. The ceiling represents the north polar regions, England is in the gallery, the tropics in the upper circle, Australia on the dress circle and the Antarctic in the pit.
A myriad computers are at work upon the weather of the part of the map where each sits, but each computer attends only to one equation or part of an equation. The work of each region is coordinated by an official of higher rank. Numerous little “night signs” display the instantaneous values so that neighbouring computers can read them. Each number is thus displayed in three adjacent zones so as to maintain communication to the North and South on the map. From the floor of the pit a tall pillar rises to half the height of the hall. It carries a large pulpit on its top. In this sits the man in charge of the whole theatre; he is surrounded by several assistants and messengers. One of his duties is to maintain a uniform speed of progress in all parts of the globe. In this respect he is like the conductor of an orchestra in which the instruments are slide-rules and calculating machines. But instead of waving a baton he turns a beam of rosy light upon any region that is running ahead of the rest, and a beam of blue light upon those who are behindhand.
Four senior clerks in the central pulpit are collecting the future weather as fast as it is being computed, and despatching it by pneumatic carrier to a quiet room. There it will be coded and telephoned to the radio transmitting station. Messengers carry piles of used computing forms down to a storehouse in the cellar.
In a neighbouring building there is a research department, where they invent improvements. But there is much experimenting on a small scale before any change is made in the complex routine of the computing theatre. In a basement an enthusiast is observing eddies in the liquid lining of a huge spinning bowl, but so far the arithmetic proves the better way. In another building are all the usual financial, correspondence and administrative offices. Outside are playing fields, houses, mountains and lakes, for it was thought that those who compute the weather should breathe of it freely.” (Richardson, 1922)