Altaplana, world of Francois Schuiten and Benoit Peeters

the impossible & infinite encyclopedia of the world created by Schuiten & Peeters

User Tools

Site Tools

Main menu

Main menu

Browse dictionary

Browse in logical order:
Persons | Cities | Albums | More topics

Browse in chronological order:
Timeline | Obscure Timeline | New pages

Browse in alphabetical order:
A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | XYZ the offical site about François Schuiten and Benoît Peeters

Visit also

Visit Catalogue

Visit Office of Passages

Visit Atlantic 12

This is an old revision of the document!

About us

François Schuiten and Benoît Peeters in 2016 (photo: Luca Lomazzi / Voyez-Vous)

The Altaplana website has been founded in 2011 by Joseph le Perdriel to create an archive about the world of Les Cités Obscures on the Internet.

Joseph le Perdriel worked before on the website, since 1996 dedicated to the work of François Schuiten and Benoît Peeters. He found out that information on the internet is not forever and that great information about Les Cités Obscures was vanishing.

Altaplana was created to incorporate and host all information that was still available. In May 2015 also the information of the official website was incorporated, after this website was stopped.

Altaplana hosts now the most comprehensive dictionary of all topics related to the Obscure Cities and its authors François Schuiten and Benoît Peeters, based on the original dictionary that was made late 90's by Sylvain St.Pierre.

The Altaplana website is not an “official” website, but it could not have become what it is today without the support and help of François Schuiten, Benoît Peeters, the people at Casterman, organisers of events and the large group of dedicated fans of Les Cités Obscures.

On the road to the "Obscure Cities"

by Benoît Peeters

François and I have known each other since we were twelve. If not for the fact that the expression sounds a bit strange, we could say that ours is a thirty years friendship. We were in the same classroom, both newcomers. François felt too tall; I thought I was too short. He drew ceaselessly; I liked to write. We wasted no time in creating together a funny little newspaper. It was, with very little difference, the same kind of partnership as today: François handled the pictures, I was in charge of the texts, and all the rest was common to both. Mixing a bit too enthusiastically reality with fiction, our little sheet eventually brought upon us the displeasure of the faculty. The college launched another periodical, full of Latin translations and moralizing anecdotes.

We lost sight of each other for a few years. When we met again, at twenty, we were both a bit deeper in the dreams of twelve-year-olds. François drew more than ever: with Claude Renard, Benoît Sokal, Alain Goffin and a few others, he was one of the main pillars of “Neuvième Rêve” (Ninth Dream), that little group that wanted to shake the then sleepy field of Belgian comic strips. I kept writing, and had just published a tiny novel: a fake life of Claude Simon. Very quickly, we felt that we wanted to work to team up again.

At the beginning of the Eighties, on a rainy Sunday, near Laguiole, we visited together a little museum entirely devoted to the painter Augustin Desombres, a little known student of Gérôme. It is there that we first heard about the Obscure Cities. Two years later, in Brussels, we discovered a door leading to them, in the incredible maze of the municipal Courthouse. Never would we have imagined where those explorations might lead us, or the encounters that would follow. Even today, we still do not know which directions our pacing will take us to.

A few stops

The very term Obscure Cities is indicative of the privileged status granted to the city. A famous saying, attributed to the architect Luigi Snozzi, even proclaims boldly: “The countryside for the dogs and the cities for men!”

The City, as an autonomous institution and organization model, is the basis of Obscure society and the main government system, a bit as was the case in Italy for centuries. The most curious phenomenon is perhaps those strange links that tie some of our world's cities to those of the Obscure World. One can only be struck, for exemple, by the numerous relationships between Brussels and Brüsel, Paris and Pâhry, Genova and Genova. And let us not forget the imaginary cities, such as Urbicande, Calvani…

Some great figures

One cannot talk about the world of the Obscure Cities without mentioning some of its more remarkable people: Joseph Poelart ­ the genius who created the Palace of the Three Powers in Brüsel ­, the architect Victor Horta ­ revered in the city of Xhystos ­, the urbatect Eugen Robick ­ an unknown disciple of Le Corbusier who entirely rebuilt Urbicande ­, the painter Augustin Desombres and the fascinating Mary…

Horta and the Obscure Cities

Victor Horta was not only the greatest Belgian architect. He is also the one who had the deepest influence on the world of the Obscure Cities. The city of Xhystos owes him almost everything, even if it is in many ways only a superficial caricature of his style.

Despite the destruction of many of his buildings, first of which was the Maison du Peuple, Baron Horta is today the center of a cult almost as high in Belgium as in the Obscure Cities. A subway station and a museum bear his name, his portrait is on banknotes, several books and exhibits are devoted to him, and crowds gather ­ in ever increasing numbers ­ at his house/workshop of Rue Américaine. But this late recognition cannot erase the mistakes of previous decades. The work being celebrated is forever mutilated, just like that of Paul Hankar, his friend and accomplice.

More introduction

You can also read the_obscure_cities_an_introduction by Julian Darius, and the French story Le Devoir de transmission selon François Schuiten by Gilles Ratier, to get more background information about François Schuiten and Benoît Peeters. And although not all their work is officially related to the Obscure Cities, they all seem to fit somehow in the concept of their Les Cités Obscures.


Altaplana is setup as a wiki. A wiki is a web application which allows people to add, modify, or delete content in a collaboration with others. Text is written using a simplified markup language or a rich-text editor. While a wiki is a type of content management system, it differs from a blog or most other such systems in that the content is created without any defined owner or leader, and wikis have little implicit structure, allowing structure to emerge according to the needs of the users.1). This gives the possibility to easily change and add pages to the dictionary. Altaplana is open for everybody who register on the website to add their own information to the dictionary. See also the help us! section to see where we can use your help.


If you have a question or remark about Altaplana you can contact the archivist Joseph le Perdriel by the feedback form.

Help us

If you would like to help to maintain the dictionary let us know. You can check the community page to see what help is needed.

Content disclaimer

Yes, I have composed, I have beautified, I have combined certain facts, but never, never did I do damage to the truth!

L'Echo des Cités (page 54)

logo of altaplana

See: wiki
This website uses cookies for visitor traffic analysis. By using the website, you agree with storing the cookies on your computer. More information