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Valéry. Tenter de vivre
Valéry. Tenter de vivre is an essay written by Benoît Peeters about Paul Valéry.
Paul Valéry was a French poet, essayist, and philosopher. His interests were sufficiently broad that he can be classified as a polymath. In addition to his poetry and fiction (drama and dialogues), his interests included aphorisms on art, history, letters, music, and current events 1).
“Valéry is much more than the posterity has made of him. This is one of the most fascinating writers ever existed.” says Benoît Peeters. “He is a man who had a dazzling debut when he was very young; friend of Pierre Louÿs and André Gide, favorite disciple of Mallarmé, he published his first poems in the best journals, and then he wrote two dazzling texts: L’Introduction à la méthode de Léonard de Vinci and the La soirée avec Monsieur Teste.. 25 years ago, he turned his back on literature and during the next twenty years he didn't publish anything, although he kept working in the early mornings in his mysterious notebooks. To the young André Breton, he is a new Rimbaud.”
“At the age of 45, Valéry returns to the literature, and he publish La Jeune Parque, and countless charming essays. Very soon the glory seizes his name, a great glory we can hardly represent today. His revival is not only in literary, it is also in vitality. Love, long repressed, takes a seat on the later. In 1920 Valéry meets Catherine Pozzi. He has a tormented link with her for eight years. His relations with Renée Vautier and Jeanne Loviton (called Jean Voilier) are equally important. The traces they have left reveal a fragile, burning, sensitive and endearing Paul Valéry.”
Benoît Peeters: “This book is not a biography as I have written about Derrida and Hergé. This is a synthetic picture, a story where the work and life ceasing to interlace. Far from speaking only to specialists, I want to propose new gateways into the world of Paul Valéry and new reasons to venture. I also examines the posthumous fate of his work and how reinvent the eve of its entry into the public domain. ”
Paul Valéry
Release date
The book (400 pages, 135 x 220 mm) is published by Editions Flammarion and is released at April 2, 2014
Read a preview of the book
The first part of the book can be read in the following preview: valery.pdf
Table of content
Valéry | 1 |
Pourquoi Valéry | 9 |
Je fus l'enfant qu'il ennuyait de « s'amuser » | 20 |
Un jeune homme perdu au fond de la province | 26 |
Je suis de ceux pour qui le livre est saint | 32 |
Sa tête d'adorable Méduse | 49 |
Entre ma tête et moi 56Cependant, il faut vivre !… | 63 |
Des gens infiniment forts | 72 |
Peut- être vais-je me mettre à écrivasser beaucoup | 80 |
L'heure de la vie qui compte le plus | 90 |
Mon attitude dans l'affaire célèbre | 97 |
L'homme que j'aimais le plus au monde | 111 |
Je n'ai plus qu'à me marier | 119 |
Cet excellent patron | 128 |
Plus je pense, plus je pense | 135 |
Ce serait mon oeuvre, la seule… | 146 |
Je crois, hélas ! que ça y est… | 152 |
Mon jeune ami se nomme André Breton | 160 |
La Jeune Chose | 168 |
On va me croire déchaîné | 184 |
J'en ai le coeur saisi comme dans la glace | 192 |
Un type dans le genre de Tristan Tzara | 200 |
On me prend pour un poète ! | 210 |
Tu as cassé quelque chose en moi | 216 |
Je n'ai plus que ce stylo pour subsister | 233 |
Crois- tu que je ne connaisse pas la solitude ? | 247 |
L'Académie n'est pas mon fort | 256 |
J'envie ces hommes | 266 |
Le droit d'être bête jusqu'au soir | 273 |
Malheureux avec éclaircies parfois | 280 |
Le Bossuet de la Troisième République | 297 |
Je crois que j'étais assez fait pour une « Europe »… | 304 |
Je deviens fou de penser à toi | 312 |
L'âme désolée et l'esprit en ruines | 321 |
Je suis vaincu336Voilà ton oeuvre… | 345 |
Lire Valéry | 349 |
Notes | 367 |
Remerciements | 393 |
Podcast France Culture
Listen to Benoît Peeters in the podcast of France Culture in the series “Relire Valéry”. This episode was broadcasted at June 2, 2014.
Reviews
- Review by Laurent Nunez for “Le Magazine littéraire” (March 2014)
Prix Renaudot
Valéry. Tenter de vivre is one of the six essays that are chosen by the jury of Prix Renaudot recommended to be read this summer 2).