Altaplana, world of Francois Schuiten and Benoit Peeters

the impossible & infinite encyclopedia of the world created by Schuiten & Peeters

User Tools

Site Tools


Sidebar

Main menu

Browse dictionary

Browse in logical order:
Persons | Cities | Albums | More...

Browse in chronological order:
Timeline | Obscure Timeline | New pages

Browse in alphabetical order:
A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | XYZ


Visit also

Visit Catalogue

Visit Office of Passages

Visit Atlantic 12


Follow us!

Visit altaplana on Facebook Visit altaplana on twitter


Benjamin, Walter

Walter Benjamin, (15 July 189226 September 1940) was a German literary critic, philosopher, social critic, translator, radio broadcaster and essayist. An eclectic thinker, combining elements of German idealism, Romanticism, historical materialism, and Jewish mysticism, Benjamin made enduring and influential contributions to aesthetic theory and Western Marxism. He is associated with the Frankfurt School 1).

Among Benjamin's major works as a literary critic are essays on Johann Wolfgang von Goethe, Franz Kafka, Karl Kraus, Nikolai Leskov, Marcel Proust, Charles Baudelaire, and translation theory. He also made major translations into German of the Tableaux Parisiens section of Baudelaire's Les Fleurs du mal and parts of Proust's À la recherche du temps perdu 2).

His turn to Marxism in the 1930s was partly due to the influence of Bertolt Brecht, who developed a theater notable for its Verfremdungseffekt (defamiliarization, alienation). An earlier influence was friend Gershom Scholem, founder of the academic study of the Kabbalah and of Jewish mysticism 3).

Influenced by the Swiss anthropologist Johann Jakob Bachofen, Benjamin coined the term “auratic perception”, denoting the aesthetic faculty by means of which civilization may recover an appreciation of myth. Scholars often cite Benjamin's most famous works, especially the essays “The Task of the Translator” and “The Work of Art in the Age of Mechanical Reproduction” 4).

Benjamin committed suicide in Portbou at the French–Spanish border while attempting to escape from the Nazis 5).

The Arcades Project

The Passagenwerk (Arcades Project, 1927–40), was Walter Benjamin's final, incomplete book about Parisian city life in the 19th century, especially about the “Passages couverts de Paris”, the covered passages that extended the culture of flânerie (idling and people-watching) when inclement weather made flânerie infeasible in the boulevards and streets proper.

The Arcades Project, in its current form, brings together a massive collection of notes which Benjamin filed together over the course of thirteen years, from 1927 to 1940.

The Arcades Project was published for the first time in 1982, and is over a thousand pages long 6).

See: Arcades

Paris - Capital of the Nineteenth Century

Walter Benjamin's book “Paris - Capital of the Nineteenth Century” is read by Kârinh in the Tube 7). You can download the English translation of this book: paris_capital.pdf

1) , 2) , 3) , 4) , 5) , 6)